You can also get “close enough” many times by making a bunch of straight lines to approximate the curve, then change them all to bezier (but not actually move them from being straight lines yet), now delete all of the points one by one from the center of curve out toward the edges.
The curves automatically adjust to aproximate your initial placement as you lose each node. Very often this gets me a far better curve match than doing it by hand (I almost always manipulate the wrong lever)
This reminded me of something I ‘discovered’ today while playing around with Adobe Capture. They added a new feature…a pattern generator…working like a kaleidoscope with whatever is in the lens. Makes some really beautiful designs.
I saw an interesting article a few years ago on the foundry in India where New York sources its covers. Given the designs on the Japanese ones I assumed that their foundries must be domestic … Don’t know if that’s 100% true, but I found a couple foundries. Here are a few links–use Google translate if you want more than just pictures
I actually design logos and other complicated graphics I need in my font design software, because the bezier tools are so much more powerful than in Illustrator. Ridiculous, but what can you do?
I just downloaded the full version of Affinity Designer because it was on sale. Hoping it does a better job…
I’ll have to try that out, thanks!! Though I’ve had the program for a good while, my knowledge level is still pretty basic- pretty much only used it for adding color to imported linework drawn in another program. All these tips are great.
For anyone looking for tutorials, I just remembered this site I stumbled upon a while ago called The Bezier Game!