I was thinking of something like that as well. You could probably do something like get a sheet material, laser cut a bunch of holes in it, then put a bunch of 3mm screws with nuts holding them to the material.
If you flip it over, wouldn’t the convex/concave nature of the laser cut prevent the material from slipping through?I don’t know if it’d be level, but I wouldn’t think it would drop through the outside piece.
Just thinking out loud…
Could you add ‘camlock’ type cuts to the outside cut., then when you replace the cut piece, turn the cams around till they grip the sides ?
It’s a good idea. And I think it would work if I carefully positioned the pins for each design (they’re not all the same). I’m thinking a benefit to a pin bed like this is it could be easily shimmed to variable heights. I’ve got to give this some design thought. Thanks!
Would that work? I’m sure I’ve got a roll of window screen in the basement. If it works, I could secure the screen to the bottom of the acrylic and the screen would then act as the support for the punched out piece of acrylic when I flip it over. Worth trying! Thanks!
I was wondering the same at first. Turns out, no. At least not in my test last night. I had half the shape supported by wood, and the other half open air. It actually started to sag through the open air side a little. Seemed like it was from the heat. The 3/4" acrylic got very hot when cut. And stayed hot for a good couple of minutes. In one spot, a section that I’d cut melted back together again a little. I was able to pry it off with a blade pretty easily though.
I think I get it. But I can’t imagine the amount of work that’d be required to do that for several pieces.
Dunno! Never tried it. Don’t ask me, ask @macrumpton…https://community.glowforge.com/t/coping-with-crumbs-with-aluminum-screen/19907
As for heat management, seems like if you did multiple lighter passes with cooldown times between you could mitigate that? Of course it would make it take longer, but how much of a problem that represents would be a balancing act that takes into account how much you plan to cut, what the end product finish needs to be, etc. However it works out, I’m curious
This might give you a starting point. I tried to get it to be a single line that modifies the outer edge of your work piece. You’ld probably need two, but no more. One might even be enough, depending on your outline shape.
Maybe you could use another piece of acrylic. Seems like any gasses released by inadvertent cuts into the second piece of acrylic would be pretty much undetectable.
I guess they might end up sticking together or something. That’d be annoying.
If the pieces being cut out are large-ish, then you could do a flat-pack bed of stumps like this:
The tallest outside stumps would provide a way to index when you flip it over and the acrylic would float on the lower stumps. They interconnect and could be cut from the cheapest material available.
I like that, a pin bed sort of, but that we can easily make on the GF. Awesome. Could do a corner box in one or two places if you need more rigidity. Nice work.
Neat idea… but it wouldn’t work for me in this case. (It makes more sense if you know what and how I’m cutting. But I’m not ready to share that yet.) Suffice to say, it needs to be supported from underneath. I think either with strategically-placed pins or with something that will not burn and not reflect and not reflect heat. However, what you’ve shown me is awesome and I will likely need to use a design like that in the future. Thanks so much for it!
Ya know… that’s really not a bad idea. I’d hate to waste the acrylic like that, but it might just be the way.
And you’re right… I’d run the risk of fusing the support acrylic to the good acrylic. But maybe it’d separate easily anyway. I’ll definitely give that some consideration. Thanks!
I wouldn’t say they’re largish… The objects will vary, but the one I cut last night was ~1.50" x ~.75". I think, if I went like this, I’d need the smaller “pin” idea like @kittski and @jakerember suggested. Thanks!
@Tom_A While I’ll steal my own idea, two things occurred to me. First, you only need to cut one set of the cams. After that you just cut the outline hole plus ‘pressure piece’ along the side of the outline of your work, and drop the cam into it.
Then an even simpler idea occurred, but might not be doable depending on your design. If you were to cut a rectangular slot alongside your outline, then push a small wedge vertically down into it ?
Man… I swear I’m smarter than this! But I’m not getting it. If you feel like explaining further, I’m all ears. If you don’t feel like it, no worries! I appreciate the thought anyway!
I think what he is saying is that if you have a small wedge, you can get horizontal pressure holding your piece in place (instead of vertical pressure that you might get from something like a pin bed).
Ah. I can see that. Yeah, in this case it won’t work for a couple of reasons… Again, this stuff is 3/4" thick. I don’t think I could transfer enough pressure to the hole to hold something in it. It’s quite solid. Also, I’ve got other cuts within each cut piece. If I applied horizontal pressure, things would compress that shouldn’t, deforming the piece.
Thanks for clarifying!
While I don’t think this system would work in the glowforge, I think it’s interesting as a design concept for a modular support system.
Thanks July for being spot on, and thanks for considering it, Tom.
To my mind, there seems to be a bit of a contradiction between it ‘being quite solid’ and it ‘things would compress that shouldn’t’.
Obviously you know what you’re trying to cut, but I wonder just how much pressure is actually needed to hold it in place under the laser.
Could you indicate what the overall size of the individual piece might be ?
Given that it will be 3/4" thick, that would seem to be more than enough surface area for, say, a small angle wedge with a high friction surface like fine grit abrasive paper to grip, especially with wedges on opposite sides.
Indeed. In my head what I was thinking is two separate thoughts…
If I tried to apply pressure to something that wasn’t right on the edge, that pressure simply won’t translate because the material is so thick and dense.
Additionally, if I were to figure out a way to apply horizontal pressure to the object somehow, inner cuts on the object would compress, distorting the overall shape of the object.
Say this is one of my objects. These are all cut lines. So I imagine that, once cut, there’d be a small gap where material was evaporated and if I squeezed it, it would change the overall shape so when it’s flipped, it wouldn’t be quite right. Maybe I’m wrong about that.
Tom, is the acrylic cut part through or right through ?
If the former, then it’s still solid and pressure on the side wont move anything.
If the latter, then the triangular shape will fall out, if you flip it over or not.
Could you enlighten me ?
EDIT If the sloping lines dont meet the bottom, but they’re cut right through, I cant see you compressing 3/4" acrylic with the wedge.
I can’t imagine being able to squeeze a cut line closed with my hands, and the amount of pressure needed to hold in place will be much smaller.
You could hold it in place with only a small pressure from your finger, after all !
You could probably hold it in place with just a piece of 220 grit paper folded over and wedged in the cut line !