Stencil Font Advice



Hey folks, it occurred to me that if a stencil font on my system doesn’t have “stencil” as part of the name I would not know how to find it. For any other newbies like me, you want a stencil font if you are cutting out letters, so the insides don’t drop out. (You could always build a bridge to the inside but that can mess with the look.)

So I just went into my font listing (on the Mac it’s in Font Book) and stepped through every one of them looking for letters that are not closed in the A’s, B’s, O’s, etc. I found a number of them that I would not have found otherwise, that will give me a few more choices. Here’s my list:

Barber Regular
Blimpo Reg (except for the “o”)
Bordeaux Reg
Discotheque Reg
Fossil Regular
Portago ITC
San Diego
Stencil Std
Stencil Sans

I guess you could get this kind of information if you have a font manager like Suitcase Fusion but at $120 it’s a bit pricey for me.

To be honest none of these fonts gets me excited. What is your favorite stencil font?


I’m not really wild about any of them either …
(I tend to build my own with the bridges for that very reason.)

One thing that you can do if you don’t want to use a stencil font is overlap a frame with the text and merge it.

Holds everything together.


I add stencil features to the fonts as I need them (when I remember to…)

In Inkscape, start with writing in any font:

Path->Object to Path (CTRL+SHIFT+C), turn off fill and turn on stroke:

Path->Break Apart (CTRL+SHIFT+K), right click (on text)->Ungroup, select letters with voids, repeat Break Apart command and ungroup again:

Now, the reason for this second break apart is so you can center your stencil-ization on each void. You can center on letter instead, but on some fonts that looks REALLY bad (or even completely misses the void anyway).

Now, make a rectangle of whatever size you deem appropriate, and center it on each void:

(Center using the Align and Distribute panel, you want to use these two options):

Now Path-Combine (CTRL+K) to recombine your voids to your letters, and then use Path->Difference (CTRL + -) to cut out the connection lines you just made (Note, I adjusted the box on the “e” so it wouldn’t cut the bottom tail):

You could choose a specific size of rectangle based on the font you selected (A copy of the lower case L would have been a good choice) to make this consistent every time you design a new file. The size of the rectangle was really the only thing I did in these steps which is not consistent every time you sit down to re-attempt the process. Every letter in a given project will look the same because of the copying of whatever rectangle you use and centering alignment.


‘Ariel’ is the only font you need.

Thanks for the stencil idea @jacobturner


Thanks @jules and @jacobturner, that’s helpful advice!


I think it depends on the application. I wanted something that looked “army”. Other times I need something to cut quickly on my silhouette to spray paint some lettering.

Here are my favorites all in one place. :wink:


Thanks for the detective work. One other font challenge are letters that are attached at the bottom only, so instead of a stencil, they are a cutout. Not sure what you would call them. For example, a lower case “i” is no problem for a stencil, but an upper case “A” is because it has counters. The “i” is problematic because on a letter attached at the bottom, the dot would not be attached. So, as @jacobturner noted, you can bridge those gaps, but I’ve yet to settle on a font that would work without some manipulation. So when I cut out name plate silouettes, I have to do some work with some of the letters to keep them attached or use something like Copperplate and only use magiscules.