Oh, that’s a shame. There are two reasons why I like having two different depth of scoring: one aesthetic and one practical. Aesthetically it’s nice to be able to have some shading differences in complicated patterns and do that easily without modifying numbers manually. Practically I found out the hard way that with maple hardwood if you use the current slow score along the grain you can snap the piece of wood along the score in half easily. Being able to adjust that is kind of necessary.